Thursday, October 9, 2014
Although I do not write book reviews in the summer months, I do continue reading, perhaps more than ever. Lucky enough to spend summers in the cool pines of Northern Arizona, I walk a lot and an audio book is my constant companion. I was having a difficult time trying to choose which book to review as I start a new season, so I elected to do eight mini reviews instead of one long one. I’ll try to capture their essence briefly. Here’s the first four:
We Are Not Ourselves by Matthew Thomas. If you like sagas, you might want to follow the life of Eileen Leary, born in Queens, NY, to Irish immigrants in 1941. Her life is an epic journey as she overcomes a tough childhood striving to better herself and live the American dream. She becomes a nurse, marries and has a son. Although these events are not particularly extraordinary, the story is a good reflection of American society in the late 20th century. It is also a poignant tale of living with a husband who eventually suffers from Alzheimer’s. This debut author is getting rave reviews, possibly because he writes like a seasoned one.
The Paying Guests by Sarah Waters. The setting is London, 1922. The Great War has left Frances Ray and her mother alone in their stately home on Champion Hill without a father and a son and also without an income to support themselves and their former lifestyle. To keep their home, they take in lodgers, The Paying Guests, Len and Lily Barber. The Barbers are a notch below the Rays on the social scale but in Frances’ boring world, they are “like sunrise in a gloomy room”. What follows is an illicit romance, a murder, a trial and a moral dilemma for Frances.
One reviewer says Waters is a master of the slow build, of the gradual assemblage of tiny random moments that result in a life-altering love. I agree that her descriptions romantic liaisons are sensual in a subtle manner. When Frances falls madly in love, it is described as, "It was as if all her senses had been wiped clean of a layer of dust. Every colour seemed sharper. Straight edges were like blades.”
Although this is Waters sixth book, it is the first one I have read and, evidently, skillful plots with twists and turns are her trade mark. I would read another.
I read Big Little Lies by Liane Moriarty because I enjoyed her best-seller, The Husband’s Secret so much. Big Little Lies has more humor and wit but still deals with murder, in this case in the opening scene. What follows are all the events leading up to the unfortunate occurrence at, of all places, a parents’ night at the Pirriwee Elementary school fund-raiser. Strong cocktails they are downing without appetizers that don’t arrive due to a traffic jam complicate the evening further or perhaps contribute to the tragedy. Like The Husband’s Secret, the setting is her native Australia and again told from different viewpoints: Madeline, Celeste and Jane, all mothers who have children at the same elementary school. When one of the children is accused of bullying another child on the playground, the mothers start acting more like children, as they exclude one mother from their “clique” without verifying the accusation. Moriarty’s story illustrates how often little lies can have big consequences. Although it’s been many years since I belonged to the Mom’s playground set, I could relate to all these characters that Moriarty has a knack for developing so vividly.
One reviewer says she has sharp insight into human nature. She is “spot on, Mate”.
The Secret Place by Tana French is #5 in the Dublin Murder Squad Series, but you don’t have to read her previous books to enjoy this one. The Secret Place is actually
a bulletin board at St. Kilda’s, a private boarding school where girls can post their innermost secrets anonymously. When Holly brings Detective Stephan Moore a note from the board that says “I Know Who Killed Him”, the cold case of a murdered sixteen-year old boy at a neighboring school is re-opened. The story is told from multiple viewpoints: Holly, her three friends and Detective Moran, who I think you’ll like, especially his interaction with his superior, a hard and abrasive lady named Conway. They both have something they need to prove.
In real time, the story takes place in one day, with flashbacks (400 some pages worth) leading up to the day of the new investigation.
Speaking of pages, one thing all the books above have in common is their heft. All are over 450 pages, We Are Not Ourselves tops them at 641.
Hope your summer was also full of good reads, by the pool, the beach, or in the comfort of your air-conditioning.
Wednesday, April 23, 2014
The Storied Life of A.J. Fikry by Gabrielle Zevin
If you are reading a book review column, I assume you enjoy reading. If so, it’s furthermore safe to assume that The Storied Life of A.J. Firky will have great appeal to you. As one reviewer claims “...this book is a love letter to the joys of reading.”
Independent book sellers across the country are singing its praises. It’s been called a romantic comedy, a spiritual journey, and a celebration of books: the people who write them, read them and sell them. A.J. is of the belief that “You know everything you need to know about a person from the answer to the question. What is your favorite book?”
A.J. owns a small bookstore on the remote fictional Alice Island in the northeast. (Think Martha’s Vineyard). His bookstore is aptly named Island Books. The sign above the door was for me like the saying, You had me at Hello. It reads, No Man is an Island, Every Book is a World. When we first meet A.J. his world is not so good. At age thirty-nine he has lost his wife in an accident. She was both his soul mate and business partner. Book sales are down, his alcohol consumption is up and he is becoming more despondent and cantankerous by the day. The final blow fate deals him is when someone steals his copy of Tamerlane, a rare and valuable edition of Edgar Allen Poe poems. This was his nest egg, his retirement, his security. Now not only is his present situation miserable but it appears his future will be also. He plods on doing what he does every day with a heavy heart and a cranky disposition. As author Gabrielle Zevin describes him in an interview, “...he is a person who is at the end of his rope.” Zevin’s philosophy is that reading can help us engage with other people, yet she purposely places A.J. on a island where he’s isolated physically, geographically and uses reading as a way to not engage with people.
Yet in the depths of his despair there is a delivery to the children’s section of his store that causes his life to take a turn. While out for a run (he no longer locks his bookstore door because he feels there is nothing valuable left for anyone to steal) he returns to find an abandoned toddler in the children’s section immersed in the pages of where the Wild Things Are. Beside the toddler is a well-worn Elmo doll with a note pinned to its matted red chest. The note in part reads, To the Owner of the Bookstore: This is Maya. She is twenty-five months old. She is very smart, exceptionally verbal for her age...and I want her to grow up to be a reader. I want her to grow up in a place with books and among people who care about those kinds of things....I love her but I can no longer take care of her. Signed Maya’s mother.
A.J. is dumbfounded and takes Maya to the local police station where just a month ago he reported the loss of his valuable book to Police Chief Lamblase. Lamblase sets a plan into motion for Child and Family Services to take the baby until the mother can be found. But getting to a remote island, accessible only by ferry, in a storm on a Friday night is not the easiest thing to do. Lamblase suggests several islander families who might keep the baby until Monday but as the toddler clings to A.J., he agrees to keep her for the weekend. By Monday morning, he is smitten and so begins the story of their life together. It is one of the three love stories in this novel. I won’t be a plot spoiler and discuss the other two. Also, there are a few mysteries to be solved: Who stole the book and where is the baby’s mother?
The island is small; there is not a large cast of minor characters but I found myself cheering for the entire motley bunch of them. A.J.’s sister-in-law Ismay, the high school drama coach, is unhappily married to a best-selling author, repeatedly unfaithful, who finds it hard to resist the groupies who attend his book signings. Lamblase, the police chief, was never a reader but with A.J.’s influence becomes one, so much so that he starts his own book discussion group, Chief’s Choices. And there is Amelia, the book publisher rep who A.J. rudely insults on their first meeting (it was during his cantankerous stage) and practically throws her out of his store when she knocks over an entire shelf of books.
The theme, the power of stories in our lives, is carried out not only with A.J.’s personal story but each chapter is introduced with a short story title (A.J. loves short stories) and his reflections after reading each one. So we re-discover the likes of authors such as Roald Dahl, Raymond Carver, F.Scott Fitzgerald, Mark Twain, J.D. Salinger and Bret Harte. But more importantly, we hear the little nuggets of wisdom A.J. imparts to his daughter, the intended recipient of his musings. For example, his comments after reading The Girls in Their Summer Dresses (Irwin Shaw, 1939), A.J. writes, (for Maya) “Someday you may think of marrying. Pick someone who thinks you’re the only person in the room.” If only every daughter were so fortunate to have a father who imparts such loving wisdom.
On a side note, I found it quite a co-incidence that the last book I reviewed (The Light Between Oceans by Stedman) also took place on a remote island where a baby arrives mysteriously. The similarity ends there however. Stedman’s story leaves us with an aching heart while A.J.’s story was best captured by one reviewer who said, “There’s joy in my heart and a skip in my step after closing the last page of this jewel of a book.”
I tend to agree with A.J. ...that you will know all you need to know about a person by how they answer that one question. So don’t be surprised when I see you around the neighborhood and can’t resist asking, “What was your favorite book?” Just trying to get to know you.
Sunday, March 9, 2014
The Light Between Oceans by M.E. Stedman
Often in doing research to write a book review, the story behind the story can be as interesting as the story itself. I found this to be the case in The Light Between Oceans by M.E. Stedman. It began as a short story of 15,000 words written in three weeks. After sending it to an agent, the author was told it had the makings of a novel. So began Stedman’s intensive research on lighthouses, including a visit to the bleakness of Cape Leeuwin Lighthouse to find living inspiration for Janus Rock, the setting for her story off the Australian coast.
In an interview with Stedman, she says, “There is something that appeals to the human psyche about lighthouses because of their isolation. Their presence offers up a marvelous set of dichotomies the human imagination likes to explore—darkness and light, safety and danger, stasis and movement, isolation and communication.”
Lighthouses have been a source of myth-making in literature for years. They have stood for sanctuary, knowledge and reason, their pulsating light symbolizing silence and surety, the steady march of time. Their beam of white brilliance slashes through black nights and dense squalls to reach beyond the curve of the Earth. The white stone lighthouse of this novel also serves a dramatic purpose, illuminating the tension between right and wrong, good and evil. And like this beacon, the characters in this story pull us in to their world and the choices they make that lead to unbearable sadness for all involved.
Tom Sherbourne has just returned from a four-year tour of duty on the Western Front, feeling guilty for surviving when so many of his mates did not. In an attempt to flee from the dark memories of the war, he accepts the position of lighthouse keeper on the island of Janus Rock, nearly half a day’s journey from the coast. It is so isolated that the supply boat comes only once a season and shore leaves are granted every other year at best.
On a visit to the coast, a young and adventurous girl, Isabel, falls in love with him and wants to spend her life with him on his chosen lighthouse mission. Once again, he cannot believe his good fortune as they marry. Their early days on the island are filled with love, exploration of the island and each other, and the beginnings of a beautiful life together. Their fortune, however, sadly turns after two miscarriages and one stillbirth. Tom would do anything to alleviate Isabel’s pain and sadness.
When a boat washes up onshore carrying a dead man and a living baby of a few months, Tom, being a meticulous record keeper and a man of deep moral principles, wants to report the incident immediately. But Isabel has taken the baby to her breast, still producing milk from the recent stillborn. Isabel interprets the baby’s arrival as divine benevolence, God’s gift to them, while Tom struggles with not abiding by the rules of honest and accurate recording of the event. Against his better judgment he allows Isobel to keep the baby. They claim her as their own and name her Lucy.
For several years Lucy thrives on the island basking in the love of her parents and the safety of her world. Although isolated, this family seems complete and everything they need is on the island. But as Stedman tells us, “the story throws up the role of isolation on morality...when you don’t see the impact of your actions. Perhaps it’s easier to fool yourself when you cannot see the face of those who are affected by what you do.”
There, however, comes a point in the story when Tom and Isabel must confront other faces and as a reader, you become as torn as they are. And that is when the author’s soul-searching questions are pondered: “Is there error in an action motivated by best intention? Can a right make good a wrong? Is there wrong in greater good?”
These universal themes as well as the strong imagery of place evoked captured the attention of nine British publishers, producing a six figure offer for Stedman’s first novel. She interviewed each publisher, stubborn in her intent to find someone who recognized her endeavors to explore life’s eternal questions about truth, redemption and the nature of happiness.
Stedman goes on to say, “Happiness is a modern idea. I think we can live good enough lives when we don’t think we get the things we thought important.”
What’s important to Tom—doing what is right—drives this story. I found it to be compelling and thought provoking. By creating many other believable characters. Stedman is able to make us see this situation from many viewpoints and draw our own conclusions. We are swept into a story about ordinary people seeking to find their North Star in a world where there is no right answer, where justice for one person is another’s tragic loss. It reminded me of many Jodi Picoult stories where moral issues are explored. Whereas her settings are contemporary, much of the beauty of this story is the setting--the time and place it evokes. It would make a good discussion book choice.
Tuesday, February 11, 2014
Mission Impastable by Sharon Arthur Moore has all the ingredients for a scrumptious reading escape—delicious recipes, two very likeable and believable main characters and of course a murder with plenty of red herrings to keep you turning the pages.
When Gina and Ali, lifelong friends, form a personal chef business, little do they know their first client will provide challenges far beyond the kitchen and dining room. Some despicable minor characters and a delightful mother, Maria, provide
just the right amount of seasoning to this culinary adventure. Set in Arizona, Phoenicians will enjoy the references to local sites, Southwest landscaping and desert weather.
Mission Impastable is Book One in the Dinner is Served series and I look forward to the next course.
Monday, January 20, 2014
The Orphan Train-a Novel by Christina Baker Kline
Orphans portrayed as heroic figures are not new to literature. W have sympathized with many through the years, such as Jane Eyre, Mary Lennox ( Secret Garden), David Copperfield, Harry Potter, and even Superman to name a few.
In Orphan Train we meet yet another. Niamh (pronounced Neeve) Power, is a young Irish girl whose immigrant family settles in New York City in the 1920’s. She is orphaned at age nine when a fire tears through their tenement housing and consequently she is put on the “Orphan Train” heading to the Midwest.
The story is fiction but based on the actual Orphan Train Movement founded by
The Children’s Aid Society and later the Catholic Foundling Hospital who in the 1850’s, in New York City alone, placed over 30,000 children in foster homes throughout the country. The children were transported to their new homes on trains which were labeled “orphan” or “baby” trains. This period of mass relocation of children ended in the 1920’s with the beginning of organized foster care in America.
The trains would arrive in a Midwest town where local community leaders had assembled interested townspeople. The children would be put on a stage-like podium for viewing and inspection where they would often dance or sing to attract attention. The town’s people would examine the children, perhaps feeling muscles and checking teeth and after a brief interview take the chosen one home. Sadly, many siblings were separated during the process because some people only wanted one child. Historians report that adolescent girls were the last chosen as they often seemed a threat to the women of the household. Boys could live in the barn or shed and provide the needed labor on the farms. Interestingly enough, redheads were rarely wanted.
In spite of her red hair, Niamh is taken in by the Minnesota Nielson family to work as a seamstress but not allowed to attend school. When the depression hits in 1929 she is let go (another mouth to feed) and placed with the Brynes who name her Dorothy and take her in as a “mother’s helper” for a family of five children. Although she is allowed to attend school, the home conditions are terrible resulting in an incident that once again leaves her homeless. She walks miles to the schoolhouse in the middle of the night through blizzard conditions where a compassionate teacher takes her in until a new foster family can be found. With the Daly’s, who name her Vivian, she finally finds a stable home environment. She remains with them until she is an adult. Her life story is told in flashback as the novel opens with the 91-year old Vivian, revealing her story in bits and pieces as she and a teenager named Molly go through the possessions in her attic.
Molly is also a foster child, a Penobscot Indian, who has had a troubled adolescence. Now seventeen years old in 2011, she is assigned a project by her caseworker to complete 50 hours of service to avoid “juvie” and remain in school. Her “project” is to help Vivian clear her attic. What starts off as a strange partnership and penance gradually turns into a friendship between the 17 year- old and the 91 year- old. As they work together and Vivian’s story unfolds, Molly discovers that she and Vivian are not so different after all.
Rich in detail and epic in scope, Orphan Train is a novel of upheaval and resilience and of the secrets we carry that keep us from finding out who we are. In an interview with the author, Christina Baker Kline says Orphan Train wrestles with questions of cultural identify and family history. There is also the interesting concept of “portaging”. What possessions does one choose to take with them and are left behind. These issues make this an excellent book discussion read.
In her research she interviewed hundreds of orphan train children (survivors are now all over 90 years old) and read hundreds of first person testimonials. She also traveled to Galway County in Ireland to research the main character’s Irish background. She attended train riders’ reunions in New York and Minnesota and interviewed the orphans and their descendents. They were eager to tell their stories and tended not to dwell on the considerable hardships they’d faced but focused on gratitude for their children and grandchildren—lives that wouldn’t have been possible if they hadn’t been on those trains. The most surprising thing that came out of her research was that many train riders believed their train was the only one. They didn’t know they were part of a massive 75-year experiment until their own children and grandchildren got involved. According to some estimates, there are more than two million descendents.
The National Orphan Train Complex in Concordia, Kansas maintains an archive of riders’ stories and also houses a research facility. Between 1853 and 1929, more than 250,000 children rode the Orphan Train to new lives.
Kline brings this time in history alive. Previous novels by Christina Baker Kline are Bird in Hand and The Way Life Should Be.
In the culmination of this story of friendship and second chances for Vivian and Molly, you may want to have a box of tissues handy.
Sunday, December 29, 2013
The Housemaid’s Daughter by Barbara Mutch
The recent death of Nelson Mendula has put Apartheid back in the news. The Housemaid’s Daughter is a fictional account of this turbulent time through the voice of one young and humble black girl whose story speaks volumes for the nation.
Barbara Mutch’s debut novel was inspired by her grandmother’s migration from Ireland to South Africa in the early 1900’s to marry her grandfather after a five-year engagement. They settled in Cradock in the harsh Karoo desert. Unprepared for Cardock’s isolation and the issues of racial inequality, she befriended the household maid much to the neighbors’ disapproval.
Like Mutch’s grandmother, fictional Cathleen Harrington leaves her family in Ireland in 1919 to marry Edward. Isolated and estranged, her only companions are her diary, her housemaid and later the housemaid’s daughter, who is named Ada after Cathleen’s Irish sister.
Ada is born in 1930 under the bony shade of a thorn tree at the back of the big house and for her entire life feels the fabric of the place. It is the only home she has known.
In spite of having a son and daughter of her own, Cathleen bonds most closely to Ada, who is receptive to her love and her teachings. Under Cathleen’s tutelage Ada becomes an accomplished pianist. Ada discovers that musical notes are like words. They meant one thing when played on their own and quite another when strung together. Ada begins to see new possibilities for her life and her awareness of this is one of the most endearing parts of the book.
Ada in turn is the only one in the household who truly understands the inner Cathleen. In her zest to learn to read, she cannot resist reading Cathleen’s diary which she stumbles upon..
However Ada’s dreams of any bright future are shattered when she discovers she is pregnant. She knows the child will be mixed-race—a child who belongs nowhere in that time of history—so she flees the only home and love she has known rather than disgrace Cathleen’s family. Cathleen must decide if she will risk the constraints of apartheid to search for her.
The only thing that saves Ada and gives her any hope for a new life is her love and knowledge of music. She becomes a piano teacher in a township poverty community school across the Great Fish River. The geography of this beautiful region of South Africa is described vividly, both in it’s beauty and it’s harshness.
Once the child, Dawn, is born, Ada and Dawn are both ostracized there also. As she deals with adversity on many levels, Ada Mabuse becomes a powerful symbol for marginalized black women and a role model for those who face oppression anywhere in the world.
Cathleen and Ada’s love of music is a constant theme throughout the story. Music lovers will delight in the variety of music discussed and played. One of the most inspirational pieces in the story is Chopin’s Prelude no. 15. It opens with a deceptively simple melody that deepens to a stormy, complex heart before returning to the original theme. The repeating A-flat that echoes throughout reminds listeners of falling raindrops and the piece is often called the Raindrop Prelude. I think this pattern is also symbolic of Ada’s and Cathleen’s life journey, spanning five decades.
Some call Housemaid’s Daughter South Africa’s version of The Help. Good Housekeeping says, “The friendship at its center will leave your heart singing.”
I would agree and add that a singing heart is a great way to start a new year in books.